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Article by Alton Greyson

In Part 2/3 of my guide to the best tinnitus books, you’ll learn the one question that separates the natural tinnitus solution authority pretenders from the contenders.

Note: this is Part 2/3 of my guide to recovery success with tinnitus books. Also see, Part 1: ideamarketers.com/?Why_Most_Tinnitus_Books_are_Tire_Puncturers&articleid=2264484

If you’re still along for this ride to the best tinnitus books, I’m going to give you a question to ponder when evaluating any book offering tinnitus solutions and I recommend you don’t ponder it lightly, as it is your straightaway to the insight and empowerment that you need to reach the tinnitus finish-line:

Who do you listen to?

In the realm of tinnitus self-help books, and in any realm of knowledge actually, the fastest and easiest way to achieve the results you want, is to listen to and devoutly apply the teachings of people who have what you want.

This sounds simplistic but its a basic principle that any successful businessman, politician – anyone whose done anything extraordinary with their life actually – has, consciously or unconsciously, applied.

This is an especially important principle for someone dealing with a problem, tinnitus that is, which requires such a truly elaborate maze of questions to be answered in order to be solved. If such ear disharmony was curable for all by taking X amount of this and a Y amount of that before bed on an empty stomach, then it wouldn’t matter if the person telling you to do this hasn’t done it to cure tinnitus their own tinnitus – they would be simply dictating a concrete instruction and therefore the only skill of theirs you would have to rely upon, would be their dictation.

But since stepping past tinnitus permanently takes a stepwise approach – an approach that will vary depending on who you are and what exactly your tinnitus symptoms are – you NEED to listen to someone who has not only cured themselves but who has helped cure all sorts of people, with all sorts of tinnitus cases. In this way, this someone’s book is not just his own teachings, but the teachings of a wide range of sufferers, offered second-handedly through their healing (and not so healing) trials and tribulations on the road to recovery.

Listening to people who actually have achieved the tinnitus-related results that you want is especially important when you consider that most of the ebooks sold as natural cures for tinnitus, are actually nothing more than rewrites of the best tinnitus books, by people who don’t have, the tinnitus elimination results you want.

“And so, What’s the harm in that?,” you might ask – “it’s the same info after all.” Well, you know how kids play that game of passing a secret message around a room from one ear to the next and when it gets back to the ear of the person with the mouth it first came from it is TOTALLY different. Well, this happens with books.

Authors who use the information of others to produce books, rather than producing personal results, whether they’re aware of it or not, add their own interpretations, their own understandings. In doing so, just like a training chef changing the cooking time on a classic dish he has never tasted or made, they ruin, or at the very least misinterpret, the recipe.

And then, they teach it to someone else and, well, I think you can see how the this becomes a foolhardy exercise.

In Part 3/3 of my tinnitus book cure investigation, I’ll show you the hidden treasure-trove of books that are turning tinnitus sufferers into tinnitus overcomers and how to pick the most proven one.

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‘The Beat That My Heart Skipped’ (De battre mon coeur s’est arrete)

This 2005 French film directed by Jacques Audiard is about Thomas Seyr (Romain Duris), a 28-year-old thug who bullies tenants of apartments whenever they couldn’t pay their rent. His father is also a practitioner of the trade. During a job, he bumps into Mr. Fox, a piano teacher who mentored his late mother, a concert pianist. Mr. Fox asks if Thomas still plays piano and suggests that he auditions for him when he’s good and ready. This re-ignites Thomas passion for the piano and finds time for lessons with Miao-Lin, a Chinese pianist with a scholarship in Paris and doesn’t know a lick of French. Through music though, they manage to make their arrangement work. But being a thug is what pays the bills and Thomas has to work while he practices with his fingers, listening to music in his head, psyching himself up for the audition for Mr. Fox. Plot from IMDB says: Should Tom (Duris) make like his thuggish father or pursue his dream of becoming a pianist?

That is the question, indeed. I liked it and even related to it even though I am not a thug and I don’t sneak around with my best friend’s wife. I related to Thomas’ love for music and his perseverance to re-learn what he had left behind. Especially that love of his for the piano.

Confession time: I am a frustrated pianist. I’ve always wanted to learn how to play but we weren’t rich enough to have us kids learn any musical instruments. I can actually play by ear on our Casio recorder but only with chopsticks-style fingers. I’m not musically gifted yet I find myself finding the keys easily after a few listens to songs. I really really REALLY would love to learn to play piano.

My resolution this year is to teach myself how. I’ve bought a couple of books on how to play on electronic keyboards. I don’t have a keyboard to speak of; our Casio recorder won’t cut it. I’m still saving up for that.

When did this dream of playing decent piano begin?

I was 10 years old in Grade 5 studying in St. Joseph’s College when I learned of my classmates taking piano lessons after classes. They would go straight to the music department and be in rooms with a grand piano. My classmate Abigail invited me to hang out with her and since I was waiting for my younger brother’s classes to end before going home, I went. She sat on the stool and started playing while looking at a music sheet perched in front of her. I don’t remember what she was playing but this I do: I was so green with envy my eyes were welling up. My only thought was this: Why didn’t my parents let me get piano lessons? I felt so sad because I knew I was missing out on something special and I couldn’t  do anything about it. If piano lessons were expensive, imagine how much it would cost to buy the piano! I felt so small compared to my classmate Abigail. I believe she caught the curiosity in my eye, so she told me to go ahead and touch the keys. I almost cried right there! I stopped myself from becoming a blubbering mess and tickled the ivories so to speak. It was both the saddest and most wonderful moment of my young frustrated pianist self. Abigail taught me the keys to punch as backup to ‘Blue Moon’ and to this day, I can do that without –err– skipping a beat.

That’s why I liked this movie. I was more moved by Thomas’ love for the piano. I don’t aspire to play the classics; heck, if I can do a decent ‘Falling Slowly’ I’d be a happy bee!

It was also fun to note that Thomas’ piano teacher Miao-Lin is played by Linh Dan Pham, who was Camille in one of my favorite films ‘Indochine’. You may also spot a cameo by Melanie Laurent (Shoshanna in ‘Inglourious Basterds’) and Thomas listening to Bloc Party in his headphones. Also, Alexandre Desplat, one of the most in-demand Hollywood music scorers did the music.

Excerpt from original post here: http://teluride.livejournal.com/2010/04/06/